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This program examines how photographers work with images to communicate stories and ideas and how viewers interpret those images. Message manipulation deriving from point of view, context, editing, superimposing, cropping, recoloring, and captioning are discussed. In addition, selective perception—seeing pictures through the filters of values and prejudices—is studied. Commentary is provided by Doug Nickel, curator of photography at the San Francisco Museum of Modern Art; Joel Slayton, of the CADRE Laboratory for New Media at San José State University; Shanto Iyengar, director of the Political Communication Lab at Stanford University; and others. (27 minutes)



 
                

Item#: This title is currently not available.
Copyright date: ©2001



Part of the Series : The Language of Photography
     


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Photography and the Brain
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Portraits and Snapshots
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Since the Civil War, portrait and snapshot photography have provided a visual history of life-and transformed society. This program explores how professional and amateur photographers capture the essence of people while considering the intensely pers...(more details)
 


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